morphology of the modern spirit
lines connected through the Trinity triangles fulfilled with numbers 1 to 0 manifest, not just sequences of dynamics and organics and the fragmented negative space they created. The gravitation of the lines derives imperatively from the incorporeal experiences on mind of the viewers. While the lines are infinitely extending themselves, the etymology of how the lines are evolved is challenged and even segregated by the morphology of the modern spirit. We see, confirm, convict through eyes, a vision that is permeated into the impulse of the urban spirit, that relishes secular and early knowledge. I employ a comprehensive range of objects that we consume on daily basis that encode the reality of we anchoring in the increasingly artificial world which sketches tenuous relationships and impotent interactions.
The first outfit will be composed of cables, vacuum bags and other daily objects. The cables denote 1. the distance of communication that is shortened on the time scale; 2. digital development; 3. the benefit of digital communication that has been so over-fertilized that it could be cultivated into a potential threat to authentic human interactions. Vacuum bags enhance the tactile experiences of the object. And the bags are made of plastic, the fact of which underlines speed. Further, vacuum bags also carves our way into a mundane, artificial and man-made material world and reveals the pride of human beings. Also, vacuum bags indicate convenience as an unbeatable element that affects modern consuming behaviors.
By touching the objects in the vacuum bags, the audience can relate them to two intrinsic questions: 1. why do these objects represent the morphology of the modern spirit?; 2. what is the modern spirit?
The second is composed of empty capsules, spare parts of shoes, jackets and partially connected with the first outfit. The empty capsules accentuate the modern psychological phenomenon of relying on man-made medicine and curing methods towards diseases and the lack of understanding of the quintessential impacts of mental wellness. The other spare parts of either shoes or jackets are demonstrating the evolution of the patterns of the contents of the our communication. The patterns are off-shore, from divine power, and the relationships between human and God, the relationships between human and nature, mind, the relationships between humans, to objects we invent, we acquire, the relationships between humans and the objects, and, the relationships between the objects themselves?